NYC Debut: Pernett
by Geko Jones.
I’ve been on the road lately trying to get my worldwide airmiles up like the Jetlag King- DJ /Rupture. Miles to go before I sleep or even come close on that one, but the result thus far has been getting to play with a lot of ladies and gents I respect and admire and making friends of them along the way. Coming up in a couple weeks here in NYC, Que Bajo?! and Conrazon are collaborating with SOB’s to debut a friend and inspiration of mine by the name of Humberto Pernett. I wanted to take the time explain to you all who this guy is on a personal level as I’ve recently spent a great deal of time with him in Cali for the Petronio Festival and got to know his story.
(Geko Jones y Uproot Andy durante su visita a Cali, por Comunidadserankua):
Pernett’s dad was one of the founders of el Carnaval de Barranquilla. He grew up around amazing musicians his whole life. His aunt Carmencita Pernett was one of the first artists to take cumbia to Mexico. Artists born in this type of conditioning? … Femi Kuti comes to mind..
I think just by looking at the record cover you can tell dude’s family were some serious party people.
It was inevitable from his upbringing that Pernett would go on to explore los ritmos de la costa.
Tambora, cumbia, bullerengue, puya, mapale sound more like the names of root vegetable or ingredients to a sancocho stew than names of rhythms but then all these styles are so distinctly satisfying on the dancefloor that their cohesion only make sense when you think about them that way.
Taking a blessing from his musical godmother, Toto la Momposina, Pernett would go further south to Bogota where he would meet Richard Blair, a UK-born producer and they would go on to form the band Sidestepper whose 3am: In beats we trust album would reverberate worldwide.
As someone who listened to the 6 degrees music label early on, and a researcher of world music fusion for quite some time I can say with confidence that the music from that album would go on to inspire a great many producers for years to come. Our global/tropical bass scene has a lot to thank them for. Electronic music, indeed, but at its essence their sound was a less mechanical and rooted deeply in Colombia’s rich musical heritage. It was a clearly defined turning point for Latin music.
Moving on to work on his own projects Pernett has continued folding time and space to create his own blend of psychodelic caribbean sounds. Carving a sound very much his own.
I invite you to listen to his soundcloud where he has over 100 original tracks and remixes uploaded.
Change isn’t an overnight thing. The last car in the roller coaster sees the turn before it happens. But from where I’m standing, Pernett is a largely unsung hero who has and is helping shape the future of latin music. He’s someone that we should pay a lot more attention to. He’s so far ahead of the pack that it will probably be another couple years before the world catches up to his sound let alone his performance capabilities.
His ableton live set up lets him trigger and effect tracks, while playing gaita or any number of traditional instruments which he can also effect, while singing and dropping some surreal visuals using his filters on his laptop cam.
He’s one of those artists that keeps pushing himself to do more. To be more. And you should too. Be there to see him Oct 9th and feel more.
Que Bajo?! & Conrazon Present
Oct 9th @ SOB’s $10 /10pm